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October 18th, 2009

  1. Sunday Flora

    October 18, 2009 by Gail

    flowers at The Brides' Project

    It’s Sunday night and I’m trying not to fall asleep at my chair, waiting for these RAW files to convert in Lightroom to make an online contact sheet. I had a jarring start to the day, having made the mistake of setting the alarm for PM instead of AM and waking up literally 15 minutes before this morning’s photo shoot in North York. Talk about a SCRAMBLE!

    The morning photo shoot included four adults, two toddlers and some harsh lighting conditions, but everyone made it to the end with only a few tears. (Not including mine, ha!) Straight after the shoot I went to The Brides’ Project to volunteer in the shop for the afternoon, where I came across these beautiful flowers.

    There’s a whole story behind this bouquet that was delivered to The Brides’ Project, but I’ll link to the story later when it’s written up on the TBP site. For this photo I didn’t have very much light to work with, so I put it on top of the microwave and beside the fridge under a kitchen light. The side lighting is coming from a window. I posted the flower photo originally because I wanted to talk about lighting, but I think a commentary about lighting in general would make this post far too long for my sagging brain. Lighting is a beast — it completely dominates photography and requires a lot of practice to master. Anyway, in the meantime enjoy the flowers!

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  2. Two More Reasons To Love Prime Lenses

    October 18, 2009 by Gail

    can't catch me

    Oh how I love this… Best viewed larger.

    lap pooch

    Lighting’s a little harsh on this second one, but I loved the moment and I didn’t want it to get away. (I shoot fully manual so I’ll be the first to admit I’m not the quickest gun in the west when it comes to finding The Perfect Exposure.) I’m of the opinion that capturing the moment in a flawed way technically is altogether preferable to losing the shot.

    Both shot with the Nikon 85mm f/1.4, which I rented for a wedding last month. The rest of the set is here. For more examples of shots taken with this lens, see Ryan Brenizer’s collection on Flickr.

    If money were no object (and I had a personal assistant to hold all this gear for me), I’d shoot with several prime lenses carried with me always, on three separate camera bodies. I love the sharpness and responsiveness of primes, but most of the time there is simply too much going on to swap lenses on the fly. Also, you know what happens when you swap lenses quickly? They drop. Also, dust everywhere — on sensor, lenses, everything. It’s a constant battle to be dust-free.

    Anyway, time to pack up the gear, unpack my brain and go to bed — I have a photo shoot with two families in nine hours.

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