27 Jan 2012 Nightlights… And The Merits Of Being A Pedestrian
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King Street West (1)

King Street West

I draw some curiosity on the street when I use my camera phone to take pictures. I do this often walking home and people stop and try to figure out what I’m taking photos of, if it’s something picture-worthy. What might not be readily apparent to a stranger is that it takes very little to draw me in for a photo. However, I am always delighted when someone asks me why I’m taking a photo because it gives me the opportunity to share my enthusiasm for the tiny (and free) things in life that give me pleasure, eg. nightlights, the inherent freedom in walking and the freedom to discover while walking.

King Street West (2)

King Street West

I am a detail-oriented person by nature, but noticing things can be practiced as well. Walking 28kms a week will make you notice things every day, especially if the route and weather changes often, and there’s a picture-taking device in your hand. It really does not matter what that device is — it can be your phone, a point-and-shoot, or a DSLR.

King Street West (3)

King Street West

Trails of light can provide infinite photographic possibilities if you can hold very still — a real challenge in stiff wind. A light reflected in a puddle suddenly becomes interesting.

King Street West (4)

King Street West

You experience so much more as a pedestrian than a driver. When you’re driving, distraction can be dangerous. Aside from intersections, a pedestrian can be happily distracted and not endanger themselves.

King Street West (5)

King Street West

I drive recreationally and to shoots, but there is no routine. If I had to commute by car every day, I think I would go bonkers. I’ll pay more to live in the city just so I can get to places on foot and not turn into a Point A-to-B-to-A automaton in a car.

King Street West (6)

King Street West

Public transit is never perfect, but I’m all for improving the transit system as much we spend on improving roads.

King Street West (7)

King Street West

King Street West (8)

King Street West

26 Jan 2012 Left Out
 |  Category: Critters + Creatures, Vancouver  | Tags: , ,  | Leave a Comment
sad doggie

sad doggie

I have to work really early tomorrow morning, so I’m just posting an unseen pic from my Vancouver trip last month while I continue to bulldoze through my mountain of photo editing and then hit the sack.

Poor Darcy looks so sad and left out of all the fun. Sad doggie needs some attention, stat!

25 Jan 2012 Bacalhau à Brás: The Canadian Edition
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bacalhau à brás - take 1

Paulo introduced me to bacalhau à brás back in June when I stayed with him in Portugal, and I’m only just NOW getting around to making it like I said I would. I asked him about the ingredients and he gave me an instructional refresher over the phone while I grocery shopped near the end of my walk home. The main ingredients are below… (I skipped shooting the onions and the egg)

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salted cod was easier to find than I thought

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salted cod bits sounds a bit dirty, doesn't it?

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Italian parsley

I know what you’re thinking: that’s it? So what’s the Canadian part? It looks pretty straightforward.

However, the second main ingredient in this Portuguese dish (home cooking; their version of our mac and cheese) is something we don’t quite have: potato sticks. The closest thing we have to their potato sticks is hickory sticks, which Paulo had to look up because I couldn’t describe hickory (can anyone?).

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hickory smoked bacalhau?

I thought I’d try it, anyway. Hopefully the hickory won’t overpower the dish.

The bulk of the labour and time in preparing bacalhau à brás is preparing the cod: shredding it, de-salting it, and picking out the bones. That’s most of the work right there. I could’ve let it soak longer, but I was impatient and more than a little hungry. While the cod was boiling I had to guess how much of the salt I’d gotten rid of in the process and guess how much saltier the hickory sticks would make of it. The other difference is the version I made in Portugal had olives in it, but I couldn’t find any where I went to get the rest of the ingredients so I left those out.

Once the bacalhau à brás was finished, I could taste the hickory. But the flavour blended in soon after that and now it’s barely noticeable, but I’ll have to get an independent opinion. For now, I am happily surprised it turned out so well!

25 Jan 2012 On Creativity
 |  Category: film photography, Linkage, Vancouver  | Tags:  | One Comment
English Bay

English Bay, Vancouver (Pentax K-1000 film scan)

Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.

– Michael Michalko

reflections on neglect

maintenance building - Central Park, NYC (Pentax K-1000 film scan)

24 Jan 2012 Time Marches On
Glasgow 1999 with Joe

Glasgow, August 1999 with Joe (film scan)

After digging out my scanner to lend to someone and testing it to make sure it still worked, I decided to scan a few photos while it was plugged in to my computer. I do not recommend doing something like this when you’ve got lots of worked piled up, because it’s an inevitable time-sink. The ultimate distraction. You get sucked into looking at old photos and the next you know, hours have passed. Yikes! But I can think of much worse ways to spend time.

Anyway, the photo above was taken in Glasgow in the summer of 1999. (That trip was legendary — oh, the stories! In fact, it came up again when I was in England in November. Remind me to tell you in person one day, I can’t write about it on the internet.) My godson Joe was a year old in this picture, and this is him now, more than a dozen years later…

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England, November 2011

One thing I noticed while looking at my old point-and-shoot photos is how terrible they are in so many ways: bad composition, poor lighting, out-of-focus, no focal point, colours washed out, the list goes on. Most of them are not even worth scanning, I just like to look at them. But that’s the reason why I let my clients pick the photos they want to print — because people choose photos for emotional value not for technical value, while a photographer can’t help but see the technical merits or mistakes (unless it’s their own photos, in which case the emotional values kick in).

It’s also interesting to see how time marches on for technology, since digital cameras weren’t around when my godson was a baby — everyone was shooting with film cameras. Now everyone is shooting with digital cameras and film is getting rare to the point of near extinction.

23 Jan 2012 One Of A Kind Dinner: Dragons & Fairies (Part 2)
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Dragons + Fairies Dinner

eyelash glue works wonders

Lisa LOOOOOOVES to dress up, and she insists on everyone attending the One Of A Kind Dinners to dress for the theme, too, including the musicians. We had guitars and wind instruments this time, and Todd even did double-duty: helping Clint in the kitchen AND playing guitar. I didn’t shoot any video this time, but Jeremy played an impressive array of instruments — from what I can recall, the harmonica, saxophone, and a Chinese wind instrument that he plans to import.

Time to link to the whole photo set, which is best viewed as a full-screen slideshow, or watch a smaller version autoplay below:

22 Jan 2012 One Of A Kind Dinner: Dragons + Fairies
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Dragons + Fairies Dinner

Dragons + Fairies Dinner

This is my fourth theme dinner hosted by my friends Clint and Lisa. They’d been hosting dinners for years, but formally created the monthly One-Of-A-Kind-Dinner events a couple of years ago, which was borne out of a love for food and people. The themes are based on specific movies or genres, and people get dressed up to follow the theme, paying a cover charge for the cost of the food (the work is volunteered).

I can tell you, since I’ve been attending these theme dinners for a couple of years now, that the labour involved is incredible. The menu takes a great deal of planning, some components of the dinner are prepared days in advance, ingredients are sourced, the shopping list is long, they’re in the kitchen literally all day, and everything is prepared from scratch. These dinners are a labour of love!

http://www.oneofakinddinner.com

Dragons + Fairies Dinner

Dragons + Fairies Dinner

Menu:

Purple Fairy Potion
Dragon Eggs
The Dragon’s Hoarded Treasure
Fairy Ring Soup
Dragon Torched Venison
Fairy Tower

Fairy Potion

Fairy Potion

Fairy Potion: Raspberry Infused Vodka, Blue Curacao, Fresh Peach Nectar

Dragons + Fairies Dinner

Dragon Eggs

Dragon Egg: Fresh Goat Cheese, Lavender Spice Mix, Red Pepper Crisp

Dragon Eggs

The Dragon's Hoarded Treasure

The Dragon’s Hoarded Treasure: Trio of Gnocchi (Turmeric, Spinach and Wasabi, Beet and Garlic), Gorgonzola Cream Sauce, Roasted Cherry Tomatoes, Chive Oil

Fairy Ring Soup

Fairy Ring Soup

Fairy Ring Soup: Mushroom Puree, Heavy Cream, Sauteed Baby Mushrooms, Basil Oil

Dragon Torched Venison

Dragon Torched Venison

Dragon Torched Venison: Roasted Rack of Venison Flambeed in Cognac, Demi-Glace, Horseradish Cream, Pomme Berny, Beet and Carrot in Vinaigrette

Fairy Tower

Fairy Tower

Fairy Tower: Salted Dark Chocolate and Caramel Mousse, Orange Sugar Tuile, Blueberry and Port Compote, Dragon Fruit Jellies, Fresh Berries and Cream

20 Jan 2012 The Distillery District On A Winter’s Evening
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twinkly

twinkly

I was in the Distillery District this evening to pick up prints at Pikto when I took these photos with my phone. A minute later I spotted a group of ladies trying to get a photo of themselves — presumably with the twinkly lights in the background — but had given up by the time I reached them. Hurrying a little, with my prints in one hand and a freshly-poured coffee from Balzac’s in the other, I caught up to the group and offered to take their photo.

They responded with an enthusiastic “Yes, please!”, so I assembled them while one lady gave me her Canon point-and-shoot. I showed her how to take the camera off Auto and find the Night Portrait setting. Then I took their photo and showed them the results on the LCD.

My explanation for what the camera was doing in this setting was completely drowned out by squeals of delight. I don’t think they listened to a word I said after that, they were too excited over how the the ambient light appeared in the photo.

I had to laugh. It’s OK that they weren’t listening, it’s enough that they were excited over being able to take night photos.

“I’ve never figured out what my camera can do,” the owner said.

“Well, now you know one more setting… and you’re going to use it, right?”

I can’t tell you how many times I’ve showed people how to use the night settings in their point-and-shoots. Whenever I walk home past the CN Tower, Chinatown, or City Hall. When I’m visiting other cities. When I’m in restaurants. It’s pretty frequent. And practically any camera over $20 has this feature, yet it has remained mysterious and invisible to most point-and-shooters. I’m oh-so-slowly working to change that, one group shot at a time.

not bad for a phone camera

not bad for a phone camera

19 Jan 2012 Chinon CE-4: New York And Toronto On Film
 |  Category: film photography, USA  | Tags:  | Leave a Comment
Humber Bay Arch Bridge

Humber Bay Arch Bridge

I picked up the roll of developed film from the Chinon CE-4 at Toronto Image Works on the way home this evening, wondering how many shots turned out. I read somewhere recently about a guy who shot digital the same way he shot film: he turned off the LCD so he couldn’t chimp preview his shots, and he shot exactly 24 frames at a time. I applaud this approach as it makes for a much more disciplined photographer and not one who “sprays-and-prays”, where good shots happen statistically from the law of averages.

That said, this roll did produce some interesting images. Unlike the last roll I did apply some editing in software, but unfortunately in a couple of cases it was because the person who developed the negatives left streaks that are visible in the scans. I’m basically covering up the streaks because it’s too much trouble to clone them out. I’m tempted to take it back to complain, but since this is a hobby roll and not for work, it would sure take some of the fun out of the process of shooting film if I tacked on the trouble of following this up with the folks at Toronto Image Works. However constructive it would be, I’d much rather give the developer the benefit of the doubt that this doesn’t happen on a regular basis.

Let’s get on with the images. First, some from December 26 in New York City.

I much prefer the way film handles full-on sun compared to digital.

Battery Park

Battery Park

New York Harbor

New York Harbor

Battery Park

Battery Park

Backlighting also has a different effect on film.

Battery Park

Battery Park

Irish Famine Memorial

Irish Famine Memorial

The whole set is best viewed as a full-screen slideshow (film shots at the end).

The Toronto film images were shot on January 8, just a few to finish off the roll. My favourites are of the Humber Bay Arch Bridge, especially the one at the top of this post.

Humber Bay Arch Bridge

Humber Bay Arch Bridge

18 Jan 2012 Calamansi Cookies
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I say calamansi, you say lime

I say calamansi, you say lime

I went to a cookie exchange party last month and made Martha Stewart’s Lime Meltaways, which were a crazy amount of work because a) I tripled the batch, and b) my oven was far too small to handle baking that many cookies in a timely fashion, and c) I followed the recipe to the letter, including the part that called for shaking the cookies in a bag of confectioner’s sugar.

The whole process turned my little kitchen into a tornado with four stations: cookie cutting, baking, cooling, and shaking, and I was switching between all of them at once — turning pans around in the oven, slicing, refilling the sugar bag, resetting the timer to remind myself not to leave the cookie trays too long in one spot… two hands was barely enough for my chaotic assembly line.

Well, this time I’m not doing it Martha Stewart’s way. Don’t get me wrong — those cookies were a hit, different from everyone else’s, and they were very tasty, but I needed a recipe that wasn’t going to consume half of my day.

Then came along this craving last week for calamansi, the citrus fruit of the Philippines. It’s my favourite juice, one that I haven’t had for YEARS (I’ve never seen it in a Canadian grocery store), and I spotted a container of it in a nondescript little Filipino takeaway in Parkdale. At first I balked at the nearly $8 price when I pulled it off the shelf last Thursday, but I had a change of heart by Monday. If you’ve never tasted calamansi, it looks like a lime but smaller, the skin is very thin and sweet, but the juice is strong. I remember it tasting sweeter than lime, but that just may be nostalgia talking.

Now, what do you do with calamansi? The same as what you would do with lime: put it in drinks, savoury dishes, desserts, what-have-you. Since I bought it in powder form, it won’t have the fresh tang of zest. I decided to make the best of its dry ingredient form and try it in cookies, because I’m a cookie monster.

the snow-free version

the snow-free version

I searched around for a calamansi recipe and went for the one that looked the simplest and didn’t require a slew of specialty ingredients. I adapted this one for Calamansi Chewies, but I’ll direct you to this one called Kalamansi Meltaway Cookies for the pictures and presentation.

the winter version

the winter wonderland version

I took liberties with adapted this recipe, but this recipe was already adapted from another. So maybe mine needs a new name? After all, I didn’t use honey. My substitutions are marked:

CALAMANSI CHEWIES with HONEY

*Adapted from The Cookiepedia by S. Adimando

2 cups all-purpose flour
1 teaspoon baking powder
1 teaspoon kosher salt coarse pickling salt, left over from the Martha Stewart recipe
½ cup unsalted butter, room temperature
½ cup sugar brown sugar, which I use in oatmeal (I don’t use sugar for anything else)
2 packets frozen calamansi concentrate (about 2 Tablespoons total) 2.5-ish (?) tablespoons of calamansi powder
1 egg
1/3 cup honey liberal drizzlings of maple syrup
Powdered sugar for sprinkling

I went to the grocery store and didn’t feel like buying refined sugar just for this recipe, nor could I decide on honey. I prefer cookies less sweet, anyway, and I have a small bottle of maple syrup from a wedding last winter. (You should see all the bottles of wedding f(l)avours I’ve stockpiled from weddings I’ve shot: pumpkin butter and homemade sweet chili sauce, for starters. I’m not sold on the pumpkin butter but I’m looking forward to trying out the sweet chili sauce.)

The result? After trying a few (by the way, the raw cookie dough was delicious), I could use more calamansi powder. I didn’t want to go overboard with the lime, but now that I tried it with about two and a half tablespoons, I know I could easily bump it up by another tablespoon. Maybe it’s because I used brown sugar instead of white and maple syrup instead of honey that the lime seemed dialled down. The other thing I wondered was whether skipping honey made the ingredients too dry, but I mixed the final ingredients by hand, which may have made the cookie a little denser, anyway.

Tomorrow I’ll bring the cookies to The Firm for some independent taste testing, and then I’ll refine the next batch for a housewarming on Sunday. A Chronic Revisionist’s work is never done, you know.

a browner cookie gives more contrast

a browner cookie gives more contrast